The quilt size you can make with your layer cakes will depend on the quilt pattern you choose to recreate.įor example, if you were to sew all the blocks together to create a patchwork quilt top with the 42-10″ squares from one layer cake, you would make seven rows of 6 squares each. These come on a variety of fabric and fabric lines – in your favorite colors, solid color or solid fabrics, What size of quilt can you make with a layer cake? You may know about other types of precut fabrics – jelly rolls, charm packs, charm squares, fat quarter bundles, etc. Easy to use, similar to a fat quarter – large nice square piece of fabric. They are great for really any kind of quilt. You can also cut your own layer cakes using the 10″ ruler here. They are 10″ squares that come in a set or fabric collection. These make for a very beginner-friendly quilt and are pretty typical easy quilt pattern. They are the thing quilters, modern quilters, beginner quilters, or any level or quilter can use. Layer Cake precuts are 10-inch squares of fabric. You’ll love the variety of style, design and options for using this fun set of cut fabric. Fun, quick, cute and beginner quilter friendly.
#Jordan lattice pattern free#
Gallery hours: Wed – Sat, 12 – 6 pm.You’ll find many free layer cake quilt patterns – to use your layer cake fabric with. *Exhibition information: November 12 – December 23, 2016, General Hardware Contemporary, 1520 Queen Street West, Toronto.
Jordan Broadworth, 2015, Eclipse oil on mylar, 14 x 17 inches. Courtesy of General Hardware Contemporary These complex compositions, in their process and final form evoke the determinability and uncontrollability that arise in the city. Urbanity is both mediated and unmediated. The vibrant collection is united by it’s layered complexity and variation. Dispersed elements become dispersed typologies, a network of light, nature, personal object and infrastructure. Broadworth’s artwork evokes multiple possibilities of urban narratives with various natural and artificial, haptic and digital motifs and patterns. Appearing like a time-lapse, these works present a variety in solidity and transience. In representing spatial complexity in time, increased noise appears. The urban experience is made up of a collection of permanent and temporary occurrences. Jordan Broadworth, Smooth-tamper, 2016, oil on Mylar, 14 x 17 inches (left) and Spike, 2016, oil on Mylar, 9 x 12 inches (right). Courtesy of General Hardware Contemporary Tactile qualities add dimensionality, further diversifying the entire composition. Geometrical articulations appear infrastructural, more permanent, controlling views with framing portals. Increased repetition creates blurred moments. More intricate patterning evokes movement and directionality. By examining a singular interrelation, moments in a larger network become clear and a narrative begins to unfold. In viewing the work it is interesting to compartmentalize the entire composition. Jordan Broadworth, Vital-binary, 2016, oil on canvas, 72 x 48 inches. Courtesy of General Hardware Contemporary The layers of information further parallels the layering of city systems. Each layer is an individual colour representing a single layer of information. Permitting the unexpected, colour becomes affected by the opacity of it’s application. By experimenting with different application tools Broadworth maintains differentiation between layers, with larger patterns overlaying more intricate repetitions.
#Jordan lattice pattern series#
The painted series is composed and manipulated before the paint dries, increasing the interrelation between layers. Courtesy of General Hardware Contemporary Jordan Broadworth, Magnetic nowhere, 2016, oil on canvas, 70 x 75 inches. The multifaceted interactions between object, nature, human, sound and space in time implicate the work. Regardless of the viewpoint, the impressive textured representations demonstrate the visual complexities and sonic cacophonies of the urban environment. Or this group of paintings can be understood as a series of face-on images capturing interactions between objects and atmospheres in receding space. The series can be regarded as set of aerial urban schemes capturing the order and disorder of the city as well as the constant motion and concentrated light of the urban metropolitan. With no certainty of orientation, scale or place, each painting can be understood from multiple perspectives. Jordan Broadworth’s rigorous repetition and layering of ambiguous forms and lattice patterns recall the complex city.
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